![]() ![]() “Oh, I” has a vintage reggae/mod/ska sound, reminiscent of The Specials or the English Beat. Things get a little funky in the slow grooving “Baby I Got Your Number,” and then “So Put Out,” has a great funky horn-backed beat “Something Ain’t Right,” has a retro 50-ish sound, followed by “Love Me Till I’m Gone,” another beautiful crooner. In “Face Down In The Moment,” you can feel the ache in its soulful melody and Rateliff’s beautiful vocals as he sings, “Face Down in the moment, waiting to let go.” “Survivor,” has a “Rock the Casbah” sounding beat, with urgent horns. “Is the future open, is the future seen?” Rateliff croons in the opening title track, a catchy Dylan-esque horn-backed ballad that will have you grooving along. Just as diverse is Rateliff’s rich voice, which can both comfort and soothe and urge you out of your seat. (Rateliff, Patrick Meese (The Night Sweats) and James Barone (Beach House), the trio behind Rateliff’s solo album, And It’s Still Alright, released in 2020.įrom gospel-sounding ballads to a symphonic Motown sound with horns, the diversity of the songs on The Future is wide ranging. Recorded at Broken Creek Studio, Rateliff’s studio outside Denver, The Future was produced by Bradley Cook (Bon Iver, Kevin Morby, The War on Drugs) and R.M.B. 5, on Stax Records, covers a lot of ground in its 11 songs - and sometimes all in one song. Nathaniel Rateliff & the Night Sweats’ 3rd studio album, The Future, released Nov. Nathaniel Rateliff & the Night Sweats - The Future ![]()
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